Synchronised Thinking

I had one of those weird moments of synchronicity today.

My novel has a fair number of mythological references (not too surprising as one of the central characters is a Greek goddess). I was editing a scene today in which one of the (non-goddess) characters is holding a glass of wine like a bowl in her two hands and another character thinks she looks like an oracle looking for answers in a scrying cup. Shortly afterwards the glass breaks and the goddess character has a ponder about bad luck quotas, 7 years for a mirror, how much for a glass?

I decided to Google the whole 'breaking a mirror = 7 years bad luck thing' and discovered that the 7 years bit goes back to the Romans who believed we renewed ourselves completely every 7 years and therefore that's how long a damaged soul (ie one that was broken when a mirror smashed) would take to heal. BUT the superstition goes back further than that, beyond early mirrors and polished shields and slices of obsidian, back to the scrying pools of dark water that were used for divination.

Spooky.

Wouldn't it be satisfying though if my novel ever gets published and I get a letter saying, "Did you know....?"

It's Good to Talk

The edit/rewrite continues. I'm loving adding to my word count in the side bar each day. Over 14,000 words edited so far. And I'm actually really enjoying it. The lovely Anna Chilvers author of the splendid Falling Through Clouds told me I would and I should have just believed her - thanks Anna.

Had a particularly chewy scene to deal with today. On the original draft I had scrawled 'what is this scene trying to do?' across it. After reading this post on Calistro's blog and doing some big doodling with a sparkly purple pen borrowed from the daughter's pencil case I found the answer. Then I looked at the scene. It wasn't doing it. The characters were there, Id set the scene but 'it' wasn't happening.

What to do?

I was so mired in the original scene that I found it really difficult to imagine rewriting it even though I knew it had to be done. Then I remembered an exercise we did recently at my Stephen May writing class. I got a blank piece of paper and a non-sparkly pen (optional) and wrote the scene completely as dialogue. I didn't worry about style or precision. I just let the characters chat, pretty much as I thought they would do in real life. Their conversation veered off in various directions but in the end after pages and pages of chinwagging and confabulation I knew that in amongst it all I had managed to tell 'it'.

It took me the rest of the day to edit it down, getting rid of lots of the dialogue in the process, especially the 'Well yeahs' and 'What do you means?' and the bit when they started discussing house prices in York (?!). Then I put back in all the description and action bits.

The scene is now so much better. There is a point to it. The reader learns more about the characters and their desires and fears. It moves the story on. It has a beginning, a middle and an end - yay!

A sigh of relief and a new technique learned. I imagine it won't be the last time I will be using it. 66,000 words to go.

Editing

Yeuch its a bit dusty in here. Where've I been? Working mainly but also, ahem, on Facebook. Have decided however that the occasional two-liner on FB isn't doing it for me, so am planning to blog more regularly again.

Couple of things brought me back here.

One was wanting to talk about reading out loud.

I've been told many times that reading your writing out loud is a useful part of the editing process but I've never really taken it on board. Then last week my writing class (taught by the splendid Stephen May) had a reading session in the cocktail bar of a local pub. It was a brilliant night, with some fantastic stories (and the cocktails weren't bad either).

Earlier in the week I chose the story I wanted to read. It was one I had recently entered into a competition and was quite pleased with. I practiced reading it out loud. Eek. How come I hadn't spotted the repeated words, the clunky sentences, the dodgy dialogue. All fixable and I did alot of editing before I read it in the pub, but I really wish I'd done it before entering it into the comp.

Ah well, lesson learned. In future I am going to make reading aloud a compulsory part of my editing (might even progress to taping myself and playing it back - gulp!)

Second thing was The Novel. Still Novel #1 although Novel #2 does exist in a skeletal form.

Quick catch up - wrote novel in 2008-9, March 2009 started sending out initial chapters and synopsis. Throughout 2009 I received 6 rejections - but all with positive feedback- and one request for the full manuscript. Nothing (not even a rejection) has resulted from the request for the full ms despite me sending a follow up enquiry.

Anyway I sort of decided to shelve novel #1 and get on with #novel 2. But novel #1 wouldn't stay quiet. It's a story I really want to tell, and has a central character who just won't stay quiet. So, I got out my rejection letters and tried to work out exactly what they were saying. Turns out they were all saying pretty much the same thing, they loved the concept, they even said they loved the writing BUT they didn't 'fall in love' with the book.

I re-read my novel.

I didn't fall in love with it either, and with the benfit of a six month absence from it I saw the glaringly obvious - no bloomin' conflict. At least not enough of it, not of the immediate and necessary kind anyway. All my conflict was in the past and my characters were just dealing with the repercussions . One of the knock on effetcs of this was that most of my characters were pretty flat. I wasn't showing them at their fictional best ie when they were under real pressure and facing immediate conflicts. This is all basic 'how to write a novel' stuff that I'm theoretically well aware of and yet had somehow managed to miss out on in practice.

So. Major rewrite about to begin. I have gone through my ms with a pen and scribbled sweeping edits - 'drop this character', 'completely rewrite this scene', 'do I really need this chapter?', as well as a few ticks here and there for bits I'm happy with. It's almost like starting all over again.

I've got a month off work and I'm determined to finish this edit by Easter. I'll keep you posted.

Yes I know I should be working or writing but...

The Guardian Book Blog is just too distracting and it was from there that I pinched this:

42 Essential Third Act Twists

I especially like 'Reverse Robot Reveal' and 'Dark Lord Reasonable'

Wonder if I'd get away with either of them in my act three...

My first ever book review

Apologies for the blog gap, all the usual excuses, plus I have been busy reading this


If there's anyone left out there who isn't aware of this new novel by the very talented Cally Taylor, then listen ye - its fab!

I'm not too hot on book reviews, in fact I've never written one before. I have that problem with non-fiction generally (except my blog but then I'm JG not SD so it's OK). And indeed my contributions to my monthly book club meet-ups are usually along the lines of "Sorry I didn't get round to reading it", "Yeah, it was good, erm yeah, I especially liked the bit, you know..." and "These crisps are great!" But here goes:

I read a whole lot of stuff across all sorts of genres (except horror cos I'm a scaredy cat) but this is my first 'supernatural chick-lit' and - I loved it. What makes it so good? - (I mean apart from the fact that I just bloomin' well enjoyed reading it and was torn between wanting to get to the end and not wanting it to finish).

OK, totally real main character. Lucy is someone I know, I mean she must be cos I feel I know her so well, she's 100% believable and rounded which is not a bad feat considering that she's dead. The supporting cast are fabulous too, all with enough personality for you to want to get to known them better (even smelly Brian). The premise of a 'wannabe ghost' (in fact a whole house full of the) is brilliant and the plot unfolds in a way that keeps you wanting to stick by Lucy through everything that the afterlife throws at her. The pace is page-turning and the dialogue and observation, witty and clever. Erm, what else - oh yes - wonderful ending, and I don't just mean the last very satisfying couple of pages but all the twists and turns that build up to it.

Yes Cally is a blog friend (and I've even once met her in the flesh!) but that wouldn't be enough for me to praise her novel, or to buy multiple copies for family and friends this Christmas (including hopefully one in Spanish - it's been translated into at least seven languages already) - but that is what I am doing.

So go and hound your local bookseller for it. It's already waiting for you in Waterstones and Borders and it's hit the charts at WHSmith. It's also flying into baskets like hot buttered scones over at Amazon. Look I've even provided the link

No News Good News?

Last week I finally got round to sending a polite email to the agent who has had the full ms of my novel for the last five months.

It took me so long 'cos, hey guess what, I couldn't find the right words. I didn't want to sound too pushy or desperate but I also wanted to make it clear that I really would like to know how my novel was doing. I got a prompt reply from her assistant saying that the agent was 'still reading it'. Hope that's not a euphemism for "Manuscript? What bloomin' manuscript? Oh you mean the one we've been using to prop up the wobbly desk."

As a student years ago I had the privilege of entering the den of the editor-in-chief of a major publishing house. He showed me his enormous slush pile (no, that's not a euphemism). It was a-teetering and a-tottering in the corner of his book-lined room. He told me that he was unlikely to find anything publishable in it and didn't look too happy at the prospect of having to wade through it. I hoped for his sake and for at least one wannabe writer that there might be a gem hidden in there.

I would love to know if my offering is in a corner of an office near the pinnacle of a wobbly tower still waiting to be read or whether it is already well-thumbed and lying on the agent's bedside table. Or whether at this very moment her assistant is putting it into a return envelope.

I must be patient.

Meanwhile have done lots of planning for novel 3 which I'm thoroughly enjoying. I said yes to a major work project yesterday which probably scuppers my chances of doing NaNoWriMo, but at least thinking about that has made me make a start. So current writing plan - Be Patient and Write novels 2 & 3 simultaneously (or at least on alternate days).

On the non-writing front - I have started going to a weekly sewing class and in typical fashion have decided that I don't want to spend weeks and weeks making bags and cushion covers (as generally recommended for beginners ) but have embarked on this:



Have so far reached the point where I have all my pieces cut out (from lovely shimmery but unslippery wine red satiny fabric) and tomorrow will begin the 'pinning it together' and maybe even some actual sewing! Hope to have it finished by Christmas (tho' there's a possibility that I may end up going 'oh bugger it' and turning it into a bag and a couple of cushions after all)

NaNoWriMo

I'm seriously thinking of doing it. A novel in a month. In previous years I have been ever so impressed when fellow bloggers have gone for it (and succeeded!) but I have also, I must confess, thought they must surely be a little bit mad. But this year I get it. Or at least I get why I should give it a go.

Novel #1 is still with an agent, novel #2 is, hmm, well not exactly simmering - the gas is on but I haven't chopped up half the ingredients yet and I can't find the oil. Meanwhile a slightly bizarre novel idea (in fact idea for a series of novels) has popped into my head - crime mysteries set in a world that I'm very familiar with. I think it could be fun but I'm not convinced I want to shelve #2 and spend a year of early mornings working at this new idea only to discover that actually it was a bit daft.

Sooo NaNoWriMo - I splurge it out over a month - 2,000 words a day. I like a challenge, deadlines etc and I think this one (hey lets call it novel #3) is the kind of project that will benefit from having its first draft written that way. Could be dreadful of course, but then if it is at least I will have got it out of my head so I can focus on the burning onions in novel #2